Artist Emily Reed
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180 items
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Mid-Century Modern Abstract Wall Art - Soft Continuum -
Minimalist Geometric Abstract Painting - Urban Fragments -
Minimalist Textured Painting - Butterfly -
3D Textured Abstract Painting - Shoreline Veil -
Minimalist Abstract Geometric Painting - Calm Flow -
Mid-Century Modern Geometric Wall Art - Urban Relic -
Wabi-Sabi Geometric Neutral Wall Art - Quiet Rhythm -
Minimalist Abstract Green Beige Wall Art - Aurora -
Minimalist Geometric Black & White Wall Art - Passage -
Minimalist Wabi Sabi Beige and Brown Wall Art - Lightfall -
Minimalist Geometric Neutral Wall Art - Pale Echo -
3D Textured White Floral Wall Art - Lumen -
Minimalist Black and Beige People Wall Art - Merge -
Minimalist Geometric Abstract Wall Art - Loam -
Minimalist Wabi-Sabi Black and White Wall Art - Interval -
Minimalist Geometric Black Wall Art - Echo Plane -
Minimalist Geometric Black Beige Canvas Art - Equinox -
Minimalist Geometric Black Wall Art - Still Tension -
Minimalist Black 3D Textured Canvas Art - Silent Pull -
Minimalist White Abstract Textured Wall Art - Trace -
Minimalist Geometric Abstract Canvas Art - Contour -
Minimalist Abstract 3D Textured Canvas Art - Silentgrain -
Minimalist Wabi Sabi Nature Wall Art - Fadeform -
Minimalist Wabi Sabi Nature Wall Art - Stillgrain -
Minimalist Abstract Ocean Wall Art - Silent Curl -
Minimalist Ocean Wave Canvas Art - Mistwave -
Minimalist Ocean Canvas Art Stillness -
3D Textured Ocean Wall Art - Tidal -
Modern Abstract Nature Wall Art - Forest -
3D Textured Wave Painting - Flow Lines -
Minimalist Abstract Wall Art - Echoes in Grey -
Contemporary Neutral Leaf Painting - Breeze of Botanics
The Techniques Behind Every Lumi Gallery Work
A closer look at how our artists create the surfaces, texture, and depth that make each work one of a kind.
| Technique | Creation Method | Texture Depth | Visual Effect |
|---|---|---|---|
| Palette Knife Painting | Paint applied and sculpted with a flexible metal knife, leaving visible ridges and directional marks | High | Raw energy and movement — every stroke is unrepeatable |
| Sculptural Impasto | Heavy undiluted paint built up in thick, raised layers that stand proud of the canvas | Very High | Surface shifts with light throughout the day — looks different morning and evening |
| Plaster Texture | Gypsum or acrylic plaster applied to canvas, setting into a hard stone-like relief before pigment is added | Very High | Architectural weight and tactile depth — closer to sculpture than painting |
| Sand & Mineral Texture | Natural sand or mineral granules blended into acrylic medium, binding permanently into the canvas surface | High | Real natural material embedded in the work — earthy warmth no synthetic finish can replicate |
| Layered Brushwork | Multiple coats applied wet-on-dry, with layers scraped back or glazed to reveal colour depth beneath | Medium | Colour appears to glow from within — built from the inside out over multiple sessions |
| Flat Lay / Tonal Blocking | Paint laid in smooth, even colour fields with a wide flat brush, focusing on precise tonal boundaries | Low | Stillness through restraint — composition speaks entirely through tone and proportion |
| Mixed Media | Acrylic, oil, plaster, and texture mediums combined in one work — each chosen for its distinct material quality | High | Effects no single medium can achieve alone — genuinely one of a kind by nature |
All works hand-painted on museum-grade canvas with eco-friendly materials. Framed and ready to hang.
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